R E L A T E D • P R O J E C T S

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http://smartmuseum.uchicago.edu/exhibitions/other-modernisms-serge-charchoune

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SERGE CHARCHOUNE (1888-1975)

‘The exhibition is open…’

This exhibition offers a concise reconsideration of the career of Russian artist and writer Serge Charchoune. While involved with Dada, Cubism, Purism and informal abstraction, Charchoune operated quite autonomously within and beyond those movements. His painting can anticipate, in very personal ways, aspects of Abstract Expressionism, minimalism and ‘pattern painting’, and his writing looks forward to ‘language poetry’ and autofiction. In general Charchoune’s stylistic diversity speaks to post-modernism, but as a figure in twentieth-centry art and literature he seems to hide in plain view, reflecting a couplet from his 1921 Dada poem Foule ImmobileThe exhibition is open. And still no one sees it.‘ An associate of Duchamp, Picabia, Schwitters, Léger, Tzara, Breton, Ernst, de Staël and many others, yet Charchoune cultivated an elusive, semi-invisible persona, commenting ‘I lie low, and have a lot of freedom.’ 

talbot rice
PREVIEW
Friday 16 November
6-8pm
EXHIBITION
17 November 2012 – 16 February 2013
Tues-Sat, 10am-5pm
(admission free)
Curator’s talk: Charchoune’s trans-modernism
Wednesday 21 November, 5.15pm

Organised by the Princess Dashkova Russian Centre at the University of Edinburgh, this discussion by Merlin James, curator of the exhibition, offered an opportunity to consider Charchoune’s work, in particular in the context of the Russian cultural diaspora. Charchoune’s relevance for the post-modern period will be explored, and his relation to other highly independent figures in twentieth-century art.

Curator’s talk:  Serge Charchoune: a low profile
Wednesday 28 November, 6.00pm

Artist Merlin James introduced the exhibition and gave an overview of the unique achievements of artist and writer Serge Charchoune. Reserved by nature and often overlooked by mainstream art history, Charchoune was nevertheless an associate of Picabia, Schwitters, Léger, Tzara, Breton, Ernst, de Staël and many others. From post-modern perspectives his significance is increasingly emerging.

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Symposium: Word & Image in Russian Contexts – The Legacy of the Russian Avant Garde

Friday 1 February, 9.30am – 7pm

Organised by University of Edinburgh’s Dr. Alexandra Smith and sponsored by the Centre for Russian, Central and East European Studies, University of Glasgow, this symposium examined the Russian Avant Garde in the context of the Serge Charchoune exhibition.

http://www.gla.ac.uk/media/media_257593_en.pdf

Talbot Rice Gallery
University of Edinburgh
Old College
South Bridge
Edinburgh EH8 9YL
+44 (0)131 650 2210